Unfortunately, some of the biggest features are still missing. And with macOS Monterey, you can see the fruits of all that labor: The big new features of iOS 15 and iPadOS 15 are also the big new features of macOS Monterey.
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This development is most significant for macOS, which tended to lag behind iOS in the 2010s, missing out on some or all of the year’s exciting innovations.Īpple has spent the last few years getting the base technology of iOS and macOS back in sync, removing 32-bit software, adding Mac Catalyst and support for iOS apps on Apple silicon, and introducing new cross-platform development technology via Swift UI. If there’s a theme of Apple’s operating-system releases in 2021, it’s platform unification. This is a band that has seen their share of ups and downs, as other more percipient observers have documented but here in KINGSIZED the listener has a perfect example of the good that can come from damning the torpedoes and rocking straight on ahead.MacOS Monterey Review: Seeking harmony, but a work in progress The vocals here are at their most Joan Jett, the guitars are at their most Rick Nielsen. One of the more memorable tracks on the album is “57 Disco,” a straight ahead sonic rocket that in 2 minutes and 52 seconds manages to smash all the windows, spray paint all the brick walls, and break all the bottles. Seriously if this song doesn’t make you want to immediately make out with somebody – anybody at all – you probably have a heart of ash and gravel. With the ghost of George Harrison beaming down beatifically on a sandy beachscape of blushing infatuations and sudden crushes, “Honey Bee” bops happily along as a charming ode to sucking face under a summer sun. On this song more than perhaps any other on the record, the pop-psychedelic rock and roll vibe of the guitars hangs in happy balance with the casually conversational tone of the vocals. On the album’s title track, “King Sized,” the band cranks the pop throttle all the way open, welcoming the cutie pies, the nice guys, the queen-sized, the little bits of me and you. KINGSIZED opens with “Lady Liberty,” a more-or-less political song with clear influences from both Apples in Stereo and Cheap Trick, and that delightfully ends with the rueful hero worship of a colossal neoclassical sculpture made almost entirely of copper and yet statues are, pretty much by definition, of little use in effecting meaningful social change.ĭispensing quickly with the catchy irony, the next song is the driving “Get Along (Diamond Ring),” a song in which Ealom commits fully and with cracking brutal honesty it’s a hard and frank conversation with oneself worthy of rehearsing over and over and over in the bathroom mirror.
But don’t read that the wrong way: this record is light years away from anything riot grrl. Her voice alternates smoothly from old school rock harmony to straight up angry shouting to confessions whispered behind a shielding hand and back again, oddly reminiscent of an early Corin Tucker. Lead singer Tammy Ealom’s staccato vocals punch their way right off these tracks. The guitar sound on this album echoes with the influences of Kim Deal, Rick Nielsen, Ray Davies, George Harrison, and Joan Jett. It’s a record that blends bang-bang pop ditties with fuzzy scuzzy lo-fi guitar tones humming and buzzing with not-so-subtle nods to psychedelic rock. 2016 is just 60 days old and my favorite record of the year, so far, has to be the sparkling, bounding, bouncing KINGSIZED by Dressy Bessy.
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